There is an exhibition of Gustave Doré in the Musée d’Orsay this winter, and then it moves on to Ottawa, Canada (yes, the capital city that many Harvard students can’t name) this summer. I am very excited about this exhibition, but also have the opportunity soon to view some original prints in a bound edition from 1880 that a friend inherited from his great grandfather.
Gustave Doré (1832-1883): Master of Imagination
From June 13 to September 14, 2014
Organized in collaboration with the Musée d’Orsay in Paris, Gustave Doré (1832-1883): Master of Imagination is the first comprehensive retrospective devoted to this major artist. It will include prints, drawings, paintings, and sculptures. A hundred works, ranging from spectacular panoramas to intimate studies on paper, will be brought together to illustrate Doré’s great artistic diversity. NGC chief curator Paul Lang worked with Edouard Papet, chief curator at the Musée d’Orsay, and Philippe Kaenel, professor of art history at the University of Lausanne and an expert on Doré.
Today, Gustave Doré is probably better known as an illustrator; his notable works include Perrault’s fairy tales, La Fontaine’s Fables, Dante’s epic poems, and his incredibly successful edition of the Bible. He worked mostly at the more intimate scale of the book, but he also created paintings and sculptures of monumental proportions.
Doré also revived history painting in order to bear witness to the disasters of the Franco-Prussian War from 1870-71 and the consequent loss of his native Alsace. An incisive caricaturist, Doré contributed to the birth of the comic strip and the graphic novel.
Visitors will be surprised by how familiar they are with Doré’s works. His influence on film and photography is a testament to this. For example, the Victorian London in Oliver Twist by Roman Polanski pays tribute to his illustrated book London, A Pilgrimage.