The Bride of Christ: a feminist reading
The image of the church, or the soul, as the Bride of Christ is a longstanding one in Christian theology, and can be seen as complementary to the image of the church as the Body of Christ. The traditional reading of this image, grounded as it is in a patriarchal understanding of marriage and an essentialist understanding of women and men, is problematic from the perspective of feminist theology. Some might argue that it should therefore be discarded, but I think that it is of ancient enough tradition and beautiful enough associations to be worth preserving and re-imagining.
In an earlier discussion, Audrey suggested that “the mystical tradition . . . is the only valid lens through which to view this image.” But the primary grounding I have for this image is the liturgical lens: the triple plunging of the pillar Easter candle into the baptismal font, the utero ecclesiae (womb of the church), during Easter Vigil, the “night truly blessed… when heaven is wedded to earth, and we are reconciled with God.”
Audrey continued,
The church- indeed all creation- each of us- must assume a feminine stance in relation to the Holy Mystery- a total and absolute ‘fiat’.
I don’t find this a helpful reading of the symbol, if “feminine stance” is meant to imply receptivity and submission, which is how I usually see it read….
Read the rest over at Gaudete Theology.
Victoria,
Yours is a clever (feminist) reading. One of my own (feminist) mentors, Sister Carolyn Osiek, RSCJ,, won’t have the metaphor of the Bride of Christ. She rightly notes several issues (in “The Bride of Christ (Ephesians 5:22-33) : A Problematic Wedding“):
Daringly, you face some of the dangers Sister Osiek addresses, and you try something fresh. I’m not trying to keep readers from clicking on over to your other blog, but I do want to post your conclusion here:
I wonder if you’d allow this language:
Lest anyone accuse me (or you) of giving a progressive and contemporary option out of gendered language, I’d like to remind all English readers that for some 400 years at least, the Bible has used this gender neutral term “spouse.” In the KJV, Song of Solomon 4:11 reads as follows:
Here singing is an ardent person who loves, desires, and reaches for his spouse. Such agency and perspective, as you show, can be given to women (just as to men), to spouses, to grooms and to brides.
Thanks, Kurk, for the pointer to Sr. Dr. Osiek’s work on this image. I agree with many of her points; though I’d point out the St. John of the Cross, for example, did identify with the Bride, I agree it seems to be rare for men to do so.
I didn’t feel daring; rather, somewhere between desperate and determined: if we’re going to have this image, then how must we think about it in light of women’s experience?
Your proposal of the church as the Spouse of Christ is a slightly different image: also valid and valuable, but it loses the already-and-not-yet element presented by the Bride, so I think it is less potent in that regard.
On the other hand, it might open up some additional ways to think about the work of the church in the world. Hm! Will have to think further on that!
God help us all.
Interesting moniker, Patriarchal Essentialist. lol. And yes God help us all.
Victoria,
I like what you wrote on your post:
“And it’s interesting; on first reading I assumed the fiat in Audrey’s comment was Mary’s ‘Let it be done to me according to your will,’ a submissive act of will. But Fiat is also the word the LORD spoke, Fiat lux!: a creative act of will.”
And I note in Luke’s Greek for Mary’s fiat he has her calling herself a “slave.” She says, ἡ δούλη κυρίου. The Master’s female slave. Osiek spends some time in her work on how the NT neglects those women who were both slaves and females; how very little regulation of them the epistles provide, how very little protection. So I note her powerful conclusion in the article I link to above. We’ve rejected the hierarchies of human slavery; why not the other metaphor of hierarchy as well?